#construction themed

[lotrmusical]

never let anyone tell you that trawling through mediocre victorian poetry isn't worth it. we just happened upon an absolute BANGER of a worm poem. go read it or else 🪱🪱🪱

[noisycowboyglitter]

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[ingoodjesst]

have you put the pieces together yet, detective

[iridescentmirrorsgenshin]

I have no other place to yap this to so I apologise in advance.

I find it interesting in Alhaitham and Kaveh’s voicelines they tend to talk about each other A LOT in a way of complaining. Such as in Alhaitham’s Good night voiceline where he says that he’d prefer that Kaveh wouldn’t be home at all because all the chaos and noise he makes in the dead of the night. Or in Kaveh’s Good Morning voiceline where he says that he hopes that you don't run into someone who ruins your day first thing in the morning.

I guess it’s what makes other people think that they despise each other’s company. Yet they’re always viewed as a pair and Alhaitham could’ve kicked Kaveh out of the house ages ago. But what’s your opinion on that?

Hiya! there's no need to apologise, this is a safe space for all haikaveh! When I tell you your ask is scratching my brain I mean ITCHING, I have so many thoughts about this part of their dynamic so thank you for enabling me <3 This turned out to be rather long, so I hope it’s helpful to you!

The contention in both Alhaitham and Kaveh’s character stories and voice lines seems to be to create intrigue about the two as individuals, and, in turn, their relationship.

Alhaitham’s ‘good night’ voice line instantly serves as a contradiction to his character. It’s interesting, and telling, that Alhaitham, who is essentially Kaveh’s landlord, and mentions this within his fourth character story, alludes to Kaveh by using ‘roommate’ rather than ‘tenant’. ‘Landlord’ evokes a position of authority over the tenant, whereas ‘roommate’ indicates an equality between two people sharing a house – since it’s Alhaitham who advocates for the term ‘roommate’, it’s telling that, as opposed to what Kaveh believes, Alhaitham wants to establish equality between them.

In terms of what Alhaitham says in this voice line, it explicitly raises a contradiction in the form of a question: if Alhaitham is truly bothered by his roommate’s antics, why doesn’t he simply evict Kaveh?

This is relevant as this question is also posed when we initially meet Kaveh within the Archon Quest, as Kaveh states he dislikes Alhaitham’s personality, to which Alhaitham responds by saying if he bothers Kaveh so much, Kaveh always has the option to move out of the house – to which Kaveh perceives as a threat, only to then dismiss this as Alhaitham ‘changing the subject’, which seems to mean that this ‘threat’ is taken as baseless. As this isn’t called back to, this seems to be the case.

There is no real threat of eviction, and regardless of their disputes, Alhaitham ultimately gives Kaveh no ultimatum to move out. In fact, as discussed here (page 27), as we are meeting Alhaitham and Kaveh for the first time, Alhaitham allowing Kaveh to live with him contradicts his established character of living a life free of inconvenience. This instantly creates intrigue around his and Kaveh’s dynamic – who is Kaveh to Alhaitham for this exception to be made to Alhaitham’s peaceful way of life?

(An additional note of interest is that Alhaitham’s solution to the noise problem seems to be more uncomfortable than calling on Kaveh and telling him to stop his work. Alhaitham says that he’d rather not wear his noise-cancelling earpieces to bed, implying that he does so when noise is a problem at night. However, there’s no mention of Kaveh being stubborn when confronting this issue, which is why he takes to wearing his ear pieces, or any mention of confrontation at all. From this voice-line, it seems that Alhaitham avoids interaction by opting for the least comfortable option, which can be a contradiction to his character. As this is a rather brief voice-line, it’s difficult to ascertain why, but I like the idea that Kaveh is productive at night, and Alhaitham prefers not to impose on Kaveh’s work process – but this is more a headcanon than evidenced interpretation.)

Returning back to the contradiction within this voice-line, at a surface glance, this does appear to be a general complaint about Kaveh, and this can be found in Alhaitham’s lines about Kaveh, and also when discussing Tighnari. Alhaitham refers to Kaveh as ‘overly sensitive’, and ‘constantly making a fuss’.

These can easily read solely as complaints, but when looking to the original CN translation, another interpretation can be found here. Alhaitham describes Kaveh as ‘caring’ or ‘tender’, which is exactly how Kaveh is described within the 3.6 special program (as per minimushiroom on twt), which can allude to how Kaveh is considerate to a fault, in that this serves as a detriment to himself.

This can be seen in Alhaitham’s other Kaveh-centred voice-line, in which he describes Kaveh buying keychains in order to provide meals for sick children, even though healthcare is free in Sumeru. Alhaitham clearly holds the view that this was a redundant action, as Kaveh, being in debt, most likely doesn’t have the money to spend on such investments that are, evidently, dubious.

As Alhaitham provides a rational view here, this contrasts with Kaveh’s act of generosity fuelled by emotion – which highlights the contention Alhaitham has with Kaveh, in that Kaveh places himself in dangerous situations for the sake of others. However, as this can be perceived as a solely derisive line, this essential context is lacking, and can be easily misconstrued. (I think the EN translation here also coincides with this narrative, as minimushiroom notes that the original CN has Alhaitham refer to Kaveh’s sensitivity in a positive way, rather than contemptuously, as the English can be interpreted as.)

Kaveh, similarly, can be seen to complain about Alhaitham in his own voice-lines. This can be seen in the 'Good Morning' voice-line you've mentioned, where Kaveh complains about having to see Alhaitham in the morning, which 'ruins' his day. Additionally, Kaveh's voice-lines discussing Alhaitham refer to Alhaitham as ‘infuriating’ and not wanting to give Alhaitham the satisfaction of thanking him, despite Alhaitham helping him out. However, there is more nuance in these voice-lines than Kaveh simply ‘disliking’ Alhaitham, as this dislike is never stated - rather that he and Alhaitham have a difficult relationship in comparison to the ‘close’ friendship of their past.

Kaveh describes their relationship being a ‘mixed bag’, of both negatives and positives, as well as establishing a thorough understanding of Alhaitham, where other people may misinterpret Alhaitham as they ‘don’t know him well enough’. Additionally, Kaveh notes that he knows that Alhaitham can present himself in a more ‘likeable’ manner, but that Alhaitham refuses to do so, which refers to Kaveh’s contention with Alhaitham discussed within his character stories. This, in turn, generates curiosity, as it appears that Kaveh holds an in-depth knowledge of Alhaitham that the player isn’t privy to.

Referring back to Alhaitham’s ‘Good Night’ voiceline, the question raised is, if Alhaitham has a problem with Kaveh, why doesn’t he just evict Kaveh? And the answer can be found by digging further into Alhaitham’s character stories. Looking to Alhaitham’s fourth character story, it states that he is aware of the dissatisfaction Kaveh may have with their living arrangement but  that ‘it matters not to him’.

This means that he is aware that Kaveh may be unhappy with having to rely on someone else for a stable livelihood, something which his pride doesn’t naturally allow, but that this is also exacerbated due to their previous falling out and the current contentions Kaveh has with him.

At first, this can seem rather abrasive, which does fall in line with Alhaitham’s egoism as this doesn’t directly impact ‘the self’ (discussed further here), however, what immediately follows is Alhaitham’s belief that he and Kaveh are mirrors, in that his own perspective of the world will be enhanced - in the og CN, ‘completed’ -by Kaveh’s own world view.

The implication generated here with the explicit term ‘mirror’, is that, just as Alhaitham benefits from Kaveh, Kaveh, in turn, can benefit from Alhaitham. (As a side note, it is interesting then that the voice-lines in question can be seen to mirror each other – Kaveh mentions Alhaitham in ‘Good Morning’ whereas Alhaitham mentions Kaveh in ‘Good Night’.)

Returning back to Alhaitham’s character story, rather than merely reflecting each other philosophically speaking, I’d say that this also points to their respective progression as people, not just scholars.

To me, this is reminiscent of what Alhaitham says to Kaveh in A Parade of Providence – being ‘correct’, ultimately, doesn’t matter, as there is no ‘correct’ path in life, meaning that there is no ‘correct’ philosophy to shape and guide a person. Rather, Alhaitham asserts that, ultimately, their opposing philosophies are not the issue that exists between them.

The issue that does exist, then, can be surmised from Alhaitham’s actions during the event (discussed further here), in which he researches into Sachin to gauge his influence over Kaveh’s father journeying into the desert, with implicit hopes of providing closure for Kaveh, and potentially assuaging Kaveh’s guilt. This is a personal act with a personal motive; the underlying motive being concern, as opposed to an assertion of ‘correctness’.

In my opinion, I think Alhaitham’s actions during A Parade of Providence are a direct reference, and fulfilment, of Kaveh’s fifth character story. I’ve discussed here that the main reason for the ending of their friendship was them asserting the correctness of a philosophy over the other, and proposing one philosophy as the ‘solution’ to the other’s perceived flaws.

Here Alhaitham can be seen to use Kaveh’s past as the reason for his excessive altruism, implicitly referring to Kaveh’s guilt over being the supposed catalyst for his father’s demise. This final comment of Alhaitham’s appears to be the first time this has been mentioned between them, and it’s enough to be perceived as weaponisation – leading to Kaveh severing their friendship.

In A Parade of Providence, Alhaitham is shown to only have taken the role of commentator to research into Sachin, whose research we are told (by Kaveh), he has no explicit interest in, and it is heavily implied that the only reason he looked further into Sachin, was to prove to link between Sachin and Kaveh’s father. Alhaitham seems to want to absolve Kaveh of this past guilt in hopes that Kaveh will stop placing himself in the cycle of self-sabotage.

For me, when viewing this as a parallel, it highlights that Alhaitham’s motivation in speaking out during their days as students was out of concern for Kaveh, although while holding egoism as ultimately beneficial, and therefore perceivably ‘correct’. The ‘issue’ they’re currently debating is not expressly stated, and although it is unclear if Kaveh understands the implication (as discussed here), as ‘correctness’ has been overturned, there seems to be little left than the personal.

Relating this back to Alhaitham’s fourth character story, for me, Alhaitham referring to Kaveh as a mirror isn’t just referring to Kaveh as a scholar, but a person as a whole. As Alhaitham seeks to improve himself, personally, through Kaveh, it seems that he hopes to be able to benefit Kaveh in turn.

As for Kaveh’s complaints regarding Alhaitham, these can be contextualised within his own character stories. As Kaveh ultimately severed the friendship between him and Alhaitham, Alhaitham offering Kaveh to live with him, despite Kaveh revoking his previous understanding of Alhaitham (as discussed here, page 67), causes Kaveh to be overtly suspicious.

In Kaveh’s Old Sketchbook, it is mentioned that Kaveh believes there to be an ulterior motive for Alhaitham inviting him to share a house, as he believes that Alhaitham wouldn’t do something for someone else without an exchange.

Kaveh, then, openly distrusts Alhaitham due to this unspoken motive, and although he takes on chores to ease his sense of guilt of being a perceived burden, a contention arises here. Due to their previously ended friendship, and with how Alhaitham hurt Kaveh, and how Kaveh may believe he hurt Alhaitham (discussed here), Kaveh sees no reason for Alhaitham to want him around – he treats their relationship as an exchange, asking what Alhaitham could possibly want for him.

Although Alhaitham views Kaveh as a mirror, and therefore, respects Kaveh’s perspectives, Kaveh can potentially view their opposing philosophies as a negative rather than a positive as he had done in the past (as discussed here), as it, perceivably, was what led to the end of their friendship. In this, Kaveh views Alhaitham as disparaging him and his views. As mentioned in his character story, he has no reservations in telling Alhaitham of his debt as Alhaitham has already seen through him in the past, and yet again, upon meeting at the tavern.

Although Alhaitham perceivably views him unfavourably, and his comments and complaints appear to propagate this interpretation, Alhaitham also seems to have no issue with keeping Kaveh around, and interacting with Kaveh, regardless of the problems Kaveh expressly has with him.

To Kaveh, it could be that as Alhaitham has already seen the worst of him, and appears to have no real issue with their stilted rapport, there is no point in donning a front and using niceties. He is open with his issues with Alhaitham, and, in turn, Alhaitham is open with him.

This appears to be a dual negative and positive for Kaveh, as he describes Alhaitham’s constancy as ‘the most unshakable part of one's past is a friend that will never change’. In this sense, his unsteady rapport with Alhaitham is reliable, and therefore, has no reason to change.

Clearly, there is a large disconnect between Alhaitham’s view of Kaveh and how Kaveh perceives Alhaitham’s view of him. As previously mentioned in the discussion of A Parade of Providence, there is an unspoken ‘issue’ between them, and this can be interpreted as dire misconceptions borne from miscommunication.

As discussed, Kaveh and Alhaitham reference each other a lot in their respective voice-lines and their character stories. This alone is enough to connect them, regardless of the cruciality of their mirror motif, as they are key figures of each other’s past, present, and seemingly, future. Despite this, it’s as you say, there’s a common perception to view them as mutually disliking each other, and, to me, this is based upon their first initial interaction, and the way they refer to each other in their own character stories and voice-lines.

It’s notable that Alhaitham refers to Kaveh in his voice-lines when Kaveh is not explicitly relevant, such as in his Good Night voice-line, and, most interestingly, when Alhaitham discusses Tighnari.

This could be because Alhaitham knows of Tighnari through Kaveh, but as this connection isn’t stated, it reads as Alhaitham mentioning Kaveh for no other reason than to complain about his perceived naivety regarding relations with others. But as this is a voice-line designated to discussing Tighnari, it’s interesting, and incredibly noticeable, that Alhaitham then discusses Kaveh instead. It’s similar to what Kaveh can be seen to do, and is observed to do by others, in relation to discussing Alhaitham.

When it comes to Kaveh, however, his complaining of Alhaitham can be seen to link with his process of dealing with troubles in his work. In his Hangout, he states that he takes his work to heart because he cares about it, which is expressed in the same quest in which Kaveh and the Traveller run into Alhaitham in the House of Daena (discussed further here, page 219).

Drawing a parallel here can further contextualise Kaveh’s complaining of Alhaitham – if Kaveh truly disliked Alhaitham, there seems to be no reason for Alhaitham to remain so relevant to him, both in conversation, and in private thought. Additionally, Kaveh is described as an empathetic person, and when dealing with others, he is thusly seen to look for another perspective rather than act on his own subjective perspective.

Looking at his voice-line on Dori, for example, expresses his distaste for Dori pressuring him for Mora due to his debt, however, he also empathises with her, and states that he senses there must be a reason why Dori acts in such a way.

In contrast, this empathy can be perceived as missing in his treatment of Alhaitham, and therefore Kaveh complaining about Alhaitham can be perceived as blatant dislike – which contradicts Kaveh’s benevolence and empathy, which A Parade of Providence particularly stresses.

Kaveh’s treatment of Alhaitham can be seen as deliberately contradictory, as it can cause the player to question why Kaveh reacts in such a singular way to Alhaitham, just as why Alhaitham reacts in a singular way to Kaveh.

In reference to Alhaitham, whilst Alhaitham tends to complain about Kaveh in turn, his actions reveal him. He invites Kaveh to live with him, gives no eviction date, pays for Kaveh’s tabs willingly, (supposedly) buys wine as an apology, and goes out of his way to ensure dialogue with Kaveh – which contradicts his own character stories, in which he appears to favour solitude, and only greets those he considers his friends ‘with a nod or two’.

Moreover, Alhaitham is established as considering Kaveh a necessity to his ‘peaceful life’ he seeks to maintain (as discussed here), and can be seen to implicitly consider Kaveh one of his priorities within his Story Quest.

The idea that Alhaitham dislikes Kaveh seems to stem from Alhaitham being taken literally when voicing an opinion, or an issue, or simply joking, in reference to Kaveh – despite his character stories highlighting that Alhaitham often uses sarcasm in order to subvert expectations.

Alhaitham expressly states that he prefers to be seen as inscrutable, and unknown, by the general public, and uses subversion as a means to do so. In these character stories, Alhaitham openly encourages speculation of his own words.

Without this context, it seems easy to simplify Alhaitham to purely speaking factually when first addressing Kaveh in the Archon Quest – stating that having to explain things to Kaveh is ‘a nuisance’, and yet, it is overlooked that Alhaitham stays in the House of Daena, regardless, knowing Kaveh would find him again.

On the whole, in my opinion, Kaveh’s feelings towards Alhaitham cannot be simplified to ‘dislike’ as this is dually an inherent misunderstanding of his character, and of his and Alhaitham’s relationship, just as Alhaitham’s feelings towards Kaveh cannot be simplified to ‘dislike’ for this same reason.

In the beginning, Alhaitham and Kaveh are not supposed to be perceived as friendly, as Kaveh denies the association of ‘friends’, and Paimon describes them to the Traveller as ‘problematic’.

The reason for this is due to their character arcs being intertwined – the core issue is posed in Kaveh’s fifth character story, in that the question is raised if a compromise can be reached, if both sides of the mirror, can be balanced. At the beginning, they are entirely at odds, but even footing must be found.

I’ve noticed a shift in online discourse after Cyno’s second story quest, as the progression in Alhaitham and Kaveh’s relationship is noticeable – deliberately, due to the flashback scene within their house (which I’ve discussed in detail here, page 122). To me, it’s more common to form the assumption that Alhaitham and Kaveh dislike each other in the Archon Quest, but with recent developments, and, hopefully, future ones, this perception is being overturned in online communities. Perhaps that’s just wishful thinking, but I’m still hopeful!

[gladiatorcunt]

♡ C♩AU ✦ S ⑅ E I DON'T ? WAN ⋆ NA ┆ LIVE ✵ ⤸ A ҂҂ L!E L!E L!E

( ◞‸◟✼) sh ∿ oul،d tell 🍰 my 𓆩♱ boy༶fri꒰nd wh@t ! be ⍟ en d♪oin' ♰

b ⤷ een thꕀink⸝⸝ing ꩜f yo﹔u eve‣ry t!me i sc 𓇼 rew him ‹𝟥 (✫ᴗ͈ ᴗ͈)

[dune, elden ring, the boys, wuwa, & original content]

nav 🍪 oneshots 🍦scenarios 🍬 headcanons 🍫 series 🧋 wips

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[felassan]

remember that wild Dragon Age theme park ride (Dragon Age: Flight of the Wardens), originally located in Dubai until it randomly turned up years later (now also oddly-rebranded as "[Not Dragon Age We Swears It]: The Guardian") in, of all places, Skegness England? well, I had to satisfy my curiosity and obsession with obscure pieces of Dragon Age media & archival thereof. and so - actually quite some time ago now - I finally got around to going on a pilgrimage there (which was this whole, like.. heinous harrowing in and of itself, that I will not go into), and I rode it

and to my surprise the original Dragon Age in-ride movie is still part of the ride experience! - complete with references to darkspawn, a Pride demon, dragons, green "rifts", Discount Anders (a Grey Warden[?] mage called 'Eldron'), Discount Yavanna (a Witch of the Wilds called 'Alexia') and Dragon Age: Inquisition soundtrack music. there is also now a new pre-ride movie which replaces the old Dragon Age pre-ride movie as part of the ride's rebranding, and i simply ?¿?

there are also still quite a lot of identifiable Dragon Age props in the fantasy-themed queue-area of the ride (so these must have been part of the whole purchase between parks), including multiple iconic Inquisitor helmets, Grey Warden shields, a Dragon Age dragon (now with DA-dragon identifiable horns.. sawn off??), and several Dragon Age banners, including the Inquisition hairy eyeball, the templar symbol and the Circle symbol. here's some pictures.

[^this image is taken from the video linked below]

I also captured the new pre-ride movie, and you can see it along with the Dragon Age in-ride movie here ⬇️. and so now, with this epilogue to the.. most odyssey of all time, more than two years after the first message about the ride was ever sent to Ghil Dirthalen, this adventure in obscurity and the strange fever-dream meta story of the Dragon Age: Flight of the Wardens era in Dragon Age history is finally complete.

Ghil Dirthalen: The Guardian??? {Overview. - Spoilers All}

[video source & link: Ghil Dirthalen, posted here w/ permission]

some further notes, thoughts and commentary under the cut -

there's a few seconds missing from this capture of the in-ride movie. for the sake of the curious and completion: in them, you're still in the fort and you see lots of 'Wardens' walking and milling around.

a camera in the ride takes two photos of the riders during the ride, which are displayed on a screen on the way out. you can choose to buy these from the Fantasy Island merchandise store. you know those photos of people on log flume rides? it's like those, only of the four riders in a row in the seats. the photos have Fantasy Island branding on them and fire along the bottom, then in two corners there's a bit of a dragon's head and that's about it. the ride photo is the only Guardian-specific merch available at the park.

some of the queue area props appear to be from random other places. like there was a barrel which had something like "1850 distillery" written on it, which is obviously temporally/thematically and universe-ly out of place (not that that's at all unreasonable given the rest of the rideworld lore, there's totally a way it could have gotten there easily hh, see below), and I guess it's a spare or leftover prop from a Western-themed ride or something? others were generic sword'n'sorcery fantasy props (some of these are from the ride's previous life in Dubai though). there are also some pretty random props, like a dead stuffed roe deer's head on the wall and a.. comically large spoon.

there's music playing in the queue area, but it's not DA music, it's generic ye olde fantasy world music.

some folks there mistakenly thought that the long themed lead-up (it was pretty darn long) queue area with the props was the entrance to or start of something completely different, like a haunted house or maze type thing, or was the ride 'experience' in and of itself.

the ride attendant gives you the option of watching the new pre-ride movie or not. I guess they get sick of putting it on and listening to it 9000 times a day (valid), and also cutting it out reduces queue times as it's about five minutes long. it's screened in a little enclosed room at the end of the queue area. you go in and sit down, they show it to you, then you go through another door to the chair machine.

the in-ride movie is blurry and poor quality. I heard someone else who rode it say that it was so blurry that they had no idea what was going on hhh

Now about the new pre-ride movie. first of all, here's the transcript.

Pre-ride movie transcript "Welcome, my friends, to the gates of our kingdom, and the start of your adventure. I know your journey has been a long and arduous climb to get here, but we are grateful that you are the ones that have stepped forward to help us in our quest. I should probably start at the beginning. My name is King Aethelswyth [sp?] and I am the ruler of Elvia [sp?] - at least, what's left of it. You see, six months ago, our world was invaded by giant demons and creatures from another dimension, which now plunder our lands, and continue to destroy our kingdom piece by piece. They came, through a time-rift, from another world, leaving much destruction in their wake. Ever since they came, our people have defended as best they are able, but, we were once a peaceful race, and sadly no match for the giant demons and dragons. Luckily, a few days ago, help arrived. They came through the rift, human in form but with incredible powers, and the ability to not only fly but transform into dragon-like creatures. That's where you all come in. You see, not only have they brought hope to our lands, but also gifted us with technology, the likes of which we have never seen before. This communication device for example - it enables us to talk to each other from great distances without being in the same room. And there is something else, and the reason why you are here. They provided us with plans to create our own machine, which as we speak is being prepared for your mission. I should explain. The machine, although made of metal and advanced technologies we can't even begin to understand, requires biological matter to function; a very specific amount of oxygen, carbon, hydrogen, nitrogen and calcium, all of which you are made from my friends. Once you are connected to the machine, you will be lifted into the portal and instantly dropped into the outer world. You'll be able to fight alongside the guardians and help close the rift once and for all. I won't lie. The mission will be dangerous, but with your help, we can defeat the giant demons, close the rift and save the kingdom. Hahahaha! [dragon roars] Ah, do not be afraid! This is Mia [sp?], one of the dragon guardians. She will help you on your quest and guide you to the rift. There it will be up to you to find a way to close it. My friends, it is almost time for you to enter the machine, and become the guardians! [inaudible] a safe journey. Save Elvia, become the heroes you're destined to be! The gates will open momentarily, as soon as the machine is ready for you. Good luck my friends, and I'll see you on the other side!"

in the linked video, the start of the new pre-ride movie isn't included in full at normal speed as it seemed to be a compilation of whatever random fantasy-themed stock footage the video creator could find, stitched together. but again for the curious and the sake of completion: it starts out panning randomly around SPACE, like at the solar system and of planets and at the Milky Way. for a sec I wondered if it was made up of random old Mass Effect assets. then it shows dragons (FROM SPACE) invading an Earth-like planet where I suppose the Ferelden-y kindgom (formerly called "Noathen", now called "Elvia" or something) setting in the rideworld is now supposed to be set. these invading dragons invade either from space or.. another dimension?? or maybe from the future or both?? [see below], entering through a big green rift. (and they still have the green coloring for the rifts and call it/them "rifts" like in DA, which was honestly so funny to me for some reason). the whole panning in from space start to the movie reminded me a lot of the Easter eggs in the DA and ME games that, while they're just Easter eggs for fun and I don't subscribe to this theory myself (as DA is its own great, self-contained thing), could light-heartedly imply that the planet with Thedas on it is a planet in the MEverse (like the krogan head in the Winter Palace in DAI or the ogre in that ME dlc).

in the pre-ride movie, the kingdom of "Elvia" might have actually been called "Albion", which is the earliest-known name for the island of Britain. (it was hard to make out exactly what the king was saying there) the new pre-ride movie seems like it was made in England and ofc thats a common fantasy setting, so I could see it, especially since the king character's name was something like Aethylswyth, which sounded very "Old English". for me personally, if it was "Albion", it adds fuel to the fire of Caitie's cracktheory/"trying to make this fit"-headcanon for the ride story/lore (see Caitie's original video on the ride's previous life for this), that it's set somewhere obscure and backwatery in Ferelden, which is kinda England- or Britain-inspired. (dont take these thoughts or other thoughts in this post about the lore/canon etc too srsly pls hh, it's just crack for fun and I know tis just an off-brand themepark ride)

on the whole the new pre-ride movie is pretty random. there's a giant in it, but it doesn't look like a DAI giant. (is it his big spoon??) it shows a fortress in part of it which looks a bit like Skyhold if you squint, with the long bridge approaching it as the entrance. at one point one of the dragons that pops up is a dragon designed more in the style of a dragon as they are sometimes depicted in, for example, Chinese mythology and folklore. the "communication device" the king described had me rolling, it's exactly like a Dragon Age Skype Crystal or a working set of eluvians from Thedas.. I wondered if the video creator was inspired some by DAI promo images and took cues from the Inquisitor's green hand/the Anchor, since the king has a green glowing thing on (or in?) his chest. and when the king started listing the elements humans are made of, I was reminded of Fullmetal Alchemist.

also, "through a time rift".. I mean technically Dorian's involvement in DAI DOES show green space-time magic right? Where is this other dimension? ofc I know it's not literally Dragon Age, but it's funny to think about and to try and make it "fit" skhskdhfjhe. is it the Fade? the Void? from somewhere in-between like Tevinter Nights implies exists? or is it the dimension which has Thedas's mundane world itself in it - like maybe the dragons are invading this poor guy's kingdom dimension from Thedas? if so what tf is going on in Thedas?? did Solas' explosion at the Conclave ripple through spacetime and rip holes in the fabrics of other worlds as well - like is Solas out here accidentally causing interdimensional Space Dragon invasions? like, theoretically.. the new pre-ride move does reference the in-ride movie, and in turn the in-ride movie is still Dragon Age (!), so technically the new pre-ride movie IS.. kind of.. weirdly.. canon.

((the pre-ride movie references an "outerworld", implying that even in THAT dimension there's an outer world and an inner world, definitely more than one at least. and back on the dimensions thing, I'm not clear - are the dragons coming from Thedas dimension? or are they coming to Thedas dimension? "they came through the rift, human in form but with powers, the ability to fly [that's Eldron] and the ability to transform into dragon-like creatures [that's Alexia]" implies that the dimension on the other side of the rift - if the helpers came through the same rift as the invading dragons - is Thedas, because that's Eldron and Alexia from the Dragon Age in-ride movie being referred to, and Noathen where they're from is in Thedas somewhere. so some Thedosians have travelled to another world to save it?? Dragons are escaping out of Thedas? but.. from space? but also - the narration is telling us that Eldron and Alexia and the other Guardians brought with them from where they came from, as a gift, incredible advanced technology that the people of Elvia have never seen before. he then gives the example of "this communication device" which could be read meta-ly as meaning the television screen, and of plans to build a machine made of metal and advanced technology (meaning the ride machine you go sit on, which is a themepark machine irl obviously and in the 'world' of the ride, some kind of flying machine). so like.. are Eldron and Alexia from Future Thedas (think Avatar Aang/Korra, when by Korra's time there's like lots more machinery and a more modern feel), a Thedas which has advanced complex machines like idk, AEROPLANES? is that what they mean by "time-rift"? because they specifically did say "time". is that to try and explain the modern machinery? does that mean the invading dragons also came from the future, not just from space or another dimension? the other option: Eldron and Alexia came from alternate universe Thedas, which has more modern technology in it. but Thedosians Time-Travelling From The Future And Also Space And Another Dimension is so funny to me so lets go with that. my headcanon is that on the way to Elvia they also timetravelled through a Westernthemed time period and thats why theres a recent-modern period whisky barrel)).

in the ride's previous life, the explanatory hook was that Eldron made you a special harness or saddle thing with which to ride a dragon, which was what the ride machine was simulating. however now, the hook to explain the machine is that it's a gift of advanced technology powered by carbon, hydrogen, organic matter (Big Oil lmao?) etc. (I enjoyed that this explanatory hook got wackier between eras of the ride's life, much like the whole meta story of this piece of media itself. it was already weird because riding dragons isn't really part of DA. though I don't understand meta-ly speaking this convoluted explanation for the machine. dragon-riding isn't an identifiable or key part of the Dragon Age franchise, so they could have kept the idea that you're sitting on a dragon's back and flying around on that in instead of having this wacky explanation about a flying machine gifted from magical strangers from Back To The Future and it would have been fine. I love it though bc its so absurd)

And Tiny Dragon Alexia from the original ride experience is kinda referenced (unintentionally?) when the king introduces the dragon "Guardian" "Mia", as when she comes on-screen her size or scaling looks small/kinda off, so maybe Tiny Dragon lives on. so now we have Tiny Dragon Alexia, Tiny Dragon Mia, and Tiny Dragon queue prop. it's a Tiny Dragon Conference.

and like I just have so many questions. in her original video on the ride, Ghil Dirthalen wondered at length where in Ferelden/Thedas Noathen could be. where is Elvia? why does the pov of the pre-ride movie proceed downstairs into the room where the king is - like why does the king have his throne in a basement? is he in an underground bunker for safety because of the Space Dragon invasion? why does he say we "climbed" up when we have just gone down into his dungeon? why is the tiny dragon introduced as "Mia" when the tiny dragon witch lady in the in-ride movie is called "Alexia"? does the king's green glowing chest thing work like the Anchor - does he have a chest Anchor.. a Chanchor? where did they get Discount Gandalf from the queue area and why is he exactly like the Ghil Dirthalen Stock Theatre Wizards in her original video? why did they change the kingdom's name from "Noathen" to "Elvia" in the pre-ride movie when "Noathen" was already non-existent in Dragon Age lore? why did they scrub Dragon Age from or avoid Dragon Age in the pre-ride movie but leave the whole Dragon Age in-ride movie intact? are the "Guardians" Discount Grey Wardens? is the king's whole schpeel secretly an evil plot so he that can use our bodies for like necromancy-alchemy? why does the ride run on your flesh and are we about to be sacrificed in a blood magic ritual? do we end up like the husks in Mass Effect after our organic forms are broken down into compounds to fuel the King of Elvia's flying anti-dragon defense tank? is the actor of the king a park staffer who is into larping, or someone's fun nerd uncle who likes DnD? does Caitie not in fact agree that I am very handsome and smart, indeed the World's Most Interesting Guy? 😤 why go to the trouble of sawing off the dragon's DA-dragon horns when the in-ride movie is still Dragon Age?? why are the dragons invading from space anyway like what do they want??? how can I obtain the king actor guy's autograph? where are EA's lawyers? and why is there a giant spoon?

[os-eclipses-tamen-son-yuri]

A thing I really enjoy about RGU is how when producing the anime the crew was aware of the budget and limits that often come with TV shows at that time and created their own cinematographic language based on them.

The roses, the frames, the transformation sequences... Not only were they able to use them smartly but also make them reinforce the core themes of the show; that of repetition, circularity, a repeated movement, a revolution.

I personally greatly appreciate when narrative media is -meta- not in a direct way but in its semiotics. Utena creates this language based on repetition and is constantly seen subverting it, adding new "rules".

Episode 33 is cinematographicaly one of the episodes I find most interesting because they literally put the turning point of the story (I personally think of this episode as a turning point because we see Utena finally with her "prince"; except that, instead of the happy "ending" one would expect in traditional stories, it is here where everything comes into place and the grim reality is made perfectly aware. Were Utena a traditional princess story, episode 33 would mark a happy conclusion. Instead it is only the beggining of what lies inside the box and once opened it cannot be closed again) in an episode that is all about repetition. A recap.

Also, for as much as many people gloss over the Black Rose Arc I very much think it crucial to establish all of RGU's symbols. Because Utena doesn't tell us things, it wants us to learn them by noticing the patterns, by seeing the repetitions and where they are being broken, so that we ask ourselves why. The elevator sequence is one of such cases where we learn more of the characterization of these characters by seeing how they act inside of it. It's even a basic screenplay exercise: "how would your characters act trapped inside an elevator".

Mikage itself is a shadow, not just of himself but of Utena as well, an omen forever frozen in time.

Because that's another theme, shadows. And how in a way they are echoes, simplified and distorted repetitions of oneself.

And while shadows are cast in contrast, projections are cast forward. While one is a memory of something, projections are the reproduced illusion of it.

Utena works with parallels and repetitions and understanding their semantics and syntax allows us, the viewers, even subconsciously to feel their weight.

[peachcitt]

from: thirteen by @anna-scribbles

art by me :)

start from the beginning // read the november chapter // read the most recent chapter (january)

hey listen. look me in my eyes. have you read thirteen by anna scribbles. i think you need to read thirteen by anna scribbles. i think if you want your life to be forever changed you need to read thirteen by anna scribbles. i think if you are a person who is breathing and alive you need to read thirteen by anna scribbles. thank you

[thecutestgrotto]

Could you do chainsaw dividers please🥺👉👈

Love ur dividers btw!❤️

Hi anon! Of course I can do that for you! I wasn’t sure if you were looking for something spooky so I did a variety. 💜🎃

Chainsaws

Spooky Masterlist

[botlabyrinth]

the percy jackson tv show is actually great when there isn’t a little shit in your ear telling you it’s not “book accurate”

[bellshazes]

this might look like a proper webweave but mostly once again i'm procrastinating by recreating my preferred ender chest storage system in rainbow-coded organized shulkers & thinking about the entropy of storage systems vs. georges perec's incredibly funny piece on the art and craft of arranging one's bookshelves (original fr text here)

[raayllum]

—cut lines from 5x08, Finnegrin's Wake

[lovestory]

being a 15 year old with undiagnosed bpd on tumblr was wild cuz what do u mean i was shading my online friends via song lyrics in my description and reblogging depressing quotes/songs with "lol" in the tags when i wasn't being replied to fast enough

[inseasofgreen]

IN SEAS OF GREEN - a blog masterpost of sorts

Welcome! I'm Juno -she/her-. I'm an aspiring author who loves fantasy, romantasy, romance. All the more better if it has darker themes to it. I'm 25 years old, live in the PNW of the United States, have two dogs and a loving and supportive fiance. I love to dream up worlds far away from our own - though just as messy as ours.

As mentioned, I do enjoy darker themes which carry through to my work. I don't shy away from things that make my uncomfortable, but I understand not everyone can do that. If I end up posting something that makes you uncomfortable and I didn't tag it. Please, please, please let me know so I can correct it. I try my hardest to tag things I know can trigger others (using *topic*cw or *topic*tw) but sometimes things slip through.

W I P S

A world on the cusp of it's doom, and all are seeking to be the one who lands on top when the hells finally break loose

INTRODUCTION

PROJECT PAGE

GENERAL TAG

CHARACTER INTRO TAGS

[celestial-toys]

That I Would Be Good [3/5]

Whatever It's Worth

“For whatever it’s worth, I think it always looks fine. I think you fuss over it too damn much, but regardless… it’s… fine. You always look fine to me. You’d look fine even if you didn’t have any hair at all.”

A small smile blooms across your features as his words sink in. “That’s… that’s the closest thing to a compliment you’ve ever given me, Sun.”

You turn and he lets the ends of your hair slip from his hands, looking a bit caught off guard at your sudden motion. You ignore his false eyes and look directly into the camera in the center of his screen. “Thank you.”

He remains frozen for a moment before his display dims to black and he turns, quickly scrubbing the worst remnants of conditioner off of his hands and onto a nearby towel. “I think your hair has been conditioned enough.”

- - - - - - -

In This Chapter

Sun attempts some level-headed honesty with his hands in your hair, and Moon gets a little overzealous when it comes to his unofficial position as Household Chef.

Pairing: Sun x Moon x Reader

Word Count: 4,779

Contains: [AU - Real World | Sentient AI/Automatons | Personality Swap] [implied EDNOS] [invasion of privacy] [implication of past self-harming behavior] [Reader has their period (not graphically described)] [discussion of menstruation] [discussion of various foods and nutrition] [one (1) use of a gendered term for Reader] [discussion and feelings of dysphoria] [eating]

A/Ns: This is a songfic. Lyrics and title are from ‘That I Would Be Good’ by Alanis Morissette.

This fic is part of my AU “[Not] Made by Design”, the full series can be found here.

Links to other parts of this fic: [Ch.1] [Ch.2] [Ch.3 (you are here)]

That I would be good if I lost my hair and my youth.

After rinsing the remainder of lightly-tinted soap suds out of your hair, off of your body, and down the drain, you bend down to turn the shower off. Gently squeezing the worst of the water out of your locks, you straighten back up and pull the shower door aside.

Then you shout.

“SUN! What the fuck are you doing?!”

You quickly step behind the blurry frosted glass of the shower door, leaving only your head peeking around the edge. You shiver in the relatively cold air that rushes to fill the shower stall as you await an answer. The solar automaton is currently leaning against the opposite wall, arms crossed and casual as ever, monitor flipped around 180 degrees in what you assume was meant to be a silent assurance that he wasn’t watching you.

“I have a question.”

Your eyes pinch closed and your features scrunch up in frustration, silently asking any higher power out there to grant you the patience to deal with this nonsense. “And it couldn’t wait until I got dressed?”

He shrugs. “I don’t see why it would need to.”

You silently press your forehead against the cool metal of the shower door’s frame.

“…Are you decent yet or must I continue admiring the grout between the tiles on this wall behind me?”

You huff, reaching out of the shower and grabbing your bathrobe off of its designated hook. “Just one… damn second…” You cinch the rope around your waist and step gingerly out onto the bath mat. “Okay, I’m ‘decent.’ Now—pray tell—what do you need to ask me?”

He leans his upper body away from the wall, rays retracting to give himself enough clearance to flip his monitor around. His rays slide back out in tandem after he turns his head to face you, and he rests his shoulders against the wall once more. “I was wondering why you’ve taken three showers today.”

You stand there, blinking in disbelief. “That’s it?”

“Yes. It’s… concerning. I wanted to make sure you weren’t up to any… harmful behaviors in here while left unsupervised.”

You roll your eyes. “‘Left unsupervised…’ What is this, some kind of inpatient program? Christ, Sun, this is my house! Can’t I catch a break?”

You throw your arms up in frustration, and he doesn’t answer you immediately. It isn’t until you deflate, dropping your exaggerated expression and bringing a hand up to pinch the bridge of your nose that he finally responds in a quieter tone. “You… concern me. I don’t know what to do.”

You sigh, trying to reign in your frustration.

Sometimes you forget that he has a lot less experience with being a person than you do.

You try to cut him some slack. “Sun, I appreciate the concern over my wellbeing. But I promise you, the only destructive behavior going on in this bathroom today is the damage I'm doing to my hair.”

He’s quiet, processing your words for a moment before he announces an observation. “It’s a lighter shade than it was this morning.”

You nod. “I sure hope it is. I’ve been in here washing the hell out of it with this fading treatment, trying to get the color I wanted.”

His expression is something between confused and disapproving. “You aren’t supposed to do that. It’s bad for your hair to wash it so much.”

You turn to the mirror and toy with your hair, dismissing him. “Yeah, yeah. Jeez, who are you, my hairdresser?”

He steps into view beside you in the mirror, leaning in closer to examine your hair. “Maybe if you’d gone to one instead of DIY-ing it you’d have gotten the color you wanted.”

You lock eyes with his reflection for a long moment. “…Touché.”

He seems pleased enough with your response, stepping back a bit and watching you futz with your hair in the mirror.

“Have your concerns been quelled now, or…?”

“…I suppose.” He replies, making no move to exit the bathroom.

“…Well then are you gonna just stand there and watch me apply my leave-in conditioner or what?”

He ignores your question, leaning in close to you again. Pinching the end of a damp lock of hair between the pads of his fingers, he hums his dissent. “You really need to quit fucking with your hair if you want to still have any left.”

You can’t help but laugh. “Goodness, the way you worded that almost sounds like a threat!”

His eyes meet yours in the mirror again and he smirks. “No… just a warning.”

He drags the tail end of your hair along the palm of his opposite hand, like idly toying with a paintbrush. “You’re always awfully concerned about the appearance of your hair.”

You cock a brow up at that. “Are you sure that isn’t a threat, Sun?”

A noise escapes him: half-scoff, half-laugh, and he sounds oddly genuine when he reassures you. “It’s not. I just… noticed.”

He releases your hair and you can finally lean far enough away to open the cabinet. “Mhm. What don’t you notice.”

He ignores your comment in favor of hitting you with another set of sudden left-field questions. “Are you afraid of getting older? Or are you afraid of losing control.”

Your hand halts, hovering halfway toward retrieving the conditioner from the cabinet, and drops back down to your side as you turn to face him. “What?”

“I’ve learned that some people dye their hair because they want to appear younger than they are. I’ve also seen many posts online where people describe making drastic changes to their hair while going through something difficult in their life. The concept appears in a number of song lyrics too. It seems to me like an attempt at gaining a sense of control.”

The fun thing about living with sentient, learning AI is that they’re always asking questions and compiling information about the world around them.

The not-so-fun thing about living with sentient, learning AI is that they’re always asking questions and compiling information about the world around them.

You’d liken it to having a fully grown adult with the curiosity and learning capacity of a child, if you didn’t want to feel even weirder about your “Creator x Creation” dynamic than you already do sometimes.

“While I… appreciate your attempts to psychoanalyze me based on my hair-dyeing habits, I regret to inform you that it’s neither of those things for me, Sunny.” You consider it a moment more, and add on. “…As far as I’m aware, at least.”

His head tilts to the side a bit. “You don’t have to patronize me.”

“I… wasn’t?”

“You used that name for me. ‘Sunny.’ It made your statement sound… patronizing.”

Another fun thing about living with sentient, learning AI is that you get to clear up all sorts of little miscommunications.

“Oh, no, I—I didn’t mean it to sound like that. I’m sorry, Sun. That wasn’t my intention.”

He doesn’t let it go so quickly. “Based on my calculations, a nickname like that tends to be used in one of three ways—patronizing, dismissive, or affectionate. Care to clarify which one it was?”

You level him with an unamused stare. “No, I don’t care to clarify.”

You then turn to retrieve the conditioner from the cabinet, effectively shutting down that line of questioning. You grab the body lotion while you’re at it, and as you set your items down on the counter, you attempt to free yourself of your overly-curious bathroom companion. “Unless you’re waiting around to help me put this stuff in my hair, I'm afraid it’s time for you to go find something else to do for a little while, Sun.”

His response is… unexpected. “I… can help.”

What has gotten into this guy recently? Used to be you had to fight to get one nice word out of him and now here he is playing ‘20 Questions’ and offering to condition your hair?

“I… didn’t expect you to actually—”

“If you didn’t want me to offer then why’d you ask?”

You squint at him, unamused. “Sun, c’mon, I know you grasp the concepts of sarcasm and rhetoric.”

Once again ignoring your statement, he pushes himself away from the wall and holds out his upturned palms in an open gesture of offering. “Would you like me to help or not?”

You’re quite sure he expects you to turn him down, so you agree to his offer, if for no other reason than to subvert his expectations. “You know what? Yeah, sure. I’d love the help, Sunny.”

He freezes for a moment—processing—but you’ve gotta admit, he collects himself surprisingly fast, apparently feeling up to the challenge.

Once you explain how much of the product to use and how to apply it, you quickly find yourself staring into the mirror, watching Sun carefully and methodically work conditioner into your hair and wondering how you got here.

Eventually a question pops up and you break through his focused silence. “Does it really look lighter than it did earlier today?”

“…Yes. But if you want my honest opinion it looked just fine before you scrubbed the life out of it three times.”

You huff in surprise at his bluntness. “Damn, okay, tell me how you really feel…”

“When have you ever known me to mince my words?”

“I know, I know. It’s fine. I appreciate your honesty.”

Silence settles over the two of you for another few moments, but he eventually pipes back up. “For whatever it’s worth, I think it always looks fine. I think you fuss over it too damn much, but regardless… it’s… fine. You always look fine to me. You’d look fine even if you didn’t have any hair at all.”

A small smile blooms across your features as his words sink in. “That’s… that’s the closest thing to a compliment you’ve ever given me, Sun.”

You turn and he lets the ends of your hair slip from his hands, looking a bit caught off guard at your sudden motion. You ignore his false eyes and look directly into the camera in the center of his screen. “Thank you.”

He remains frozen for a moment before his display dims to black and he turns, quickly scrubbing the worst remnants of conditioner off of his hands and onto a nearby towel. “I think your hair has been conditioned enough.”

Your tone quickly becomes teasing. “Aww, is somebody flustered?”

He reaches for the doorknob. “It’s time for me to walk Zero. I trust you can moisturize the rest of yourself without my assistance.”

Quickly making his very smooth retreat, as your laughter subsides, you’re left there to apply your lotion in thoughtful silence.

That I would be great if I was no longer Queen.

“Does this feel more like an ‘apple-cinnamon’ or ‘banana-walnut’ kind of day?”

You release a soft sigh as you raise your head from where it’d been… briefly planted atop your crossed arms, and you lean back into your seat at the kitchen table. “You really don’t have to do every single thing for me, Moon.”

His monitor clicks, spinning a few degrees back and forth to accompany his playful rebuttal. “And leave me with no task to occupy these idle hands? Why, I feel like that’d be just cruel.” The pout he wears doesn’t do much to convince you, nor to ease the guilt you feel.

He can tell as much, and tries a more serious approach. “Star… you’re menstruating. From what I can tell, this is a more painful period than normal. I’m sure in no small part due to the excess stress you’ve been under this past month. You deserve to rest as much as possible right now.”

“I figured you’d be in favor of me getting up and moving around. Isn’t that supposed to help in the long-run?”

He nods. “It can. But it tends to help the most when stretching and physical activity is maintained throughout the entire monthly cycle, not just once you’re already bleeding and in pain.”

His explanation is straightforward, but soft spoken, everything in his tone and body language obviously trying not to offend, accuse, or criticize. “Besides, bugging you to exercise tends to fall more under Sun’s jurisdiction, and he’s had his reasons for prioritizing other aspects of your well-being this month.”

Speak of the devil, Moon’s other half strides into the kitchen with Zero trailing closely behind. He has no trouble falling into the conversation. “I can help you through some gentle stretches later today if you’d like, but I second the notion that you should rest right now. I don’t need to hear any more groans and curses from you like I heard after you insisted on cleaning up the living room and prepping your own dinner last night.”

You rest your chin in your palm. “I ‘insisted’ because I just… I feel like I put too much on you guys. You don’t deserve to have to do all this shit for me.”

Sun scoffs, speaking with his back to you as he pulls open a cabinet door. “Trust me, you’re doing us all a favor by letting this one over here dote on you. I fear he’d go mad if there wasn’t always some task he could busy himself with, and he seems to favor any task that falls under the realm of taking care of you.” He turns to face you, mug in hand. “Now, what do you want to drink?”

You’d laugh at the juxtaposition of his words and his actions, but the deep pain of another cramp sets in and you weakly wave a hand in defeat. “Just some hot water, please.” He hums in confirmation and moves to grab the kettle. You turn your focus back to Moon. “I’ll let you… appease your instincts. It’s kinda my fault that you’ve got ‘em in the first place.”

His expression brightens, round eyes curling into his signature crescents. “Good! Now, shall I list your options again?”

You shake your head and hum a negative, mulling it over for a moment as you take hold of the steaming mug of water that Sun quietly slides in front of you. “Uhh… actually, can I just have it plain today?”

Moon smiles softly, head twisted back over his shoulder to look at you while he pulls a carton of dry oats from the pantry. “Of course, star. Would you like some sugar on it or do you want it truly plain?”

You shove aside the inner voice whispering to you about ‘empty calories’. “…I guess a little brown sugar wouldn’t hurt.”

Moon brightens a little at your answer. “Good choice! I hear that brown sugar gives it a maple syrup-y taste thanks to the molasses. Oh, that makes me think of pancakes! And waffles! And french toast! I should make one of those tomorrow. How does that sound?”

You smile at his growing excitement over tomorrow’s breakfast, in spite of the fact that he won’t even get to partake. Another cramp sets in as you respond and you try to keep the strain out of your voice. “They all sound good, but I don’t know if I can choose right now…”

He gently places a small pot of water on the stove, turning the burner’s dial with practiced precision. “That’s alright, there’s no rush! It’s just some—heh—food for thought!”

Sun groans at the joke, and Moon defends it. “Hey, no—that was a good one!”

Zero noses at Sun’s hand, stealing his attention before he can begin to debate with Moon. As you passively watch him pull the dog’s breakfast from the fridge, a random thought occurs. “Do we still have any Ruffles left?”

Moon opens a different cabinet and shuffles a few bags around in his search. “Weeee… do!”

You’re hesitant to request the odd combination, but your craving wins the inner battle. “Can I… have some of those too?”

“You certainly can!”

Sun reaches past Moon to grab Zero’s bowl from the dish rack, speaking beneath his mechanical breath. “Sugar and salt, what a breakfast.”

“They’re fine choices!” Moon chipperly responds, the word ‘fine’ punctuated by a small smack to the back of Sun’s monitor.

Sun’s rays retract as he ducks down and steps back, distancing himself from Moon’s reach. “I never said they weren’t.” He sets Zero’s bowl on the counter with emphasis. “But you might want to throw some sort of multivitamin in with that salty-sweet mix.”

“I always see to it that they meet their daily needs, Sun.” Moon’s voice rarely wavers from its amicable tone, but there’s an undercurrent of finality to it now that quiets any further commentary from his other half.

As he stirs the simmering oats on the stove, his monitor turns to face you. “Oh, speaking of! I was thinking about making you something with spinach and tofu for lunch. You could use the iron, and the magnesium might help to ease your cramps. Plus the vitamin C should help you absorb the iron, and- oh! I could add some wild rice, or potatoes. The additional B vitamins should help the magnesium, and they support progesterone prod—” The kitchen timer dings, stealing his attention and interrupting his ensuing nutritional ramble.

Twisting his head back around, he turns the burner’s dial off. “Anyways—point is—how does that sound to you? I could cube the tofu and toss it into a spinach salad, I could slice and fry it and arrange it together on a sandwich, or I could even sauté the spinach and make a tofu scramble!”

His excited discussion of all of your lunch options is a bit overwhelming to you, considering you haven’t even conquered breakfast yet. Still, you bear in mind that he’s only trying to help, over-enthusiastic as he may be sometimes. “Uhm… the sandwich sounds nice.”

“Alright! Then it shall be yours.” He moves to pass behind you, enroute to retrieve a bowl from the other side of the kitchen, wrapping an arm around your blanket-clad shoulders in a brief embrace. “Anything the Queen of the castle desires is hers upon command.”

You both giggle a bit at his playful expression, and Sun rolls his eyes, accompanied by a dramatic gagging sound. Zero’s happy tail thwacks repeatedly against one leg of the kitchen table. All is well.

Except it isn’t.

As Moon returns to the stove and Sun portions out Zero’s meal, you struggle to fight back the feeling that what he’d just said didn’t sit right.

It had nothing to do with his devotion to service and everything to do with the concept of you being “Queen.” All of this morning’s focus on your menstrual cycle, coupled with this ‘princess’ treatment and compounded by his casual use of feminine terms for you, suddenly has you feeling more like a woman than you suppose you’d like to.

Trying to push the nagging uncomfortable feeling aside, you pull your phone from your sweatpants pocket. You attempt to distract yourself with a mindless scroll through your notifications as the pleasant smell of your breakfast fills the room.

After presenting Zero with her own breakfast, Sun takes a seat across from you at the small table. You can feel his analytical gaze on you, pointedly avoiding eye contact when you glance up from your phone to sip your water.

By the time Moon presents you with your breakfast, the feeling has done nothing but rapidly fester. You try to distract yourself with the meal, but not even the absurd sight of your requested potato chips—on a plate, methodically arranged by size and laid atop one another in a spiral—is enough to rid you of it. You do your best to sound unbothered when you thank him, and he falters as he moves to step away from the table. “You’re very welc-ome… Is, uh… everything okay, star?”

Sun doesn’t beat around the bush. “Something’s wrong. Is the pain getting worse?”

You’re quick to shake your head. “No, no, it’s fine. I’m fine. Just… thinking about something.”

Moon’s hand comes to rest on the back of the nearest empty chair. “Well… talking tends to help people sort their thoughts out, no? We’re all ears if you’d like to get it off your chest.”

You hesitate and Sun straightens in his seat. “If my presence is preventing you from opening up, I can leave the room.”

Your gaze flicks to him, brows knitted. “What? No, no—I… why would you think that?”

He shrugs. If the notion bothers him, he doesn’t let it show. “I’m sure Moon is… the easier of the two of us to talk to. You seemed to be getting more uncomfortable the longer I sat here. Makes sense to me that maybe you’d rather me not hear about whatever’s going on.”

You start to feel a bit guilty that that’s the conclusion he jumped to. “No, Sun, that’s not… I mean, okay—yeah, I could feel you watching me, but just about anyone gets uncomfortable when they know they’re being watched. Your penchant for staring isn’t… you’re not keeping me from opening up.” You look him directly in the eye. “There isn’t anything I’d say to one of you that I wouldn’t want the other to hear. I don’t want either of you thinking that.”

Sun’s fingertips drum along the table and his faceplate clicks to the side. “Okay then, what is stopping you?”

You pull in a deep breath, internally debating whether it’s even worth explaining.

“You… don’t have to tell us, if you really don’t want to.”

You give Moon a tired smile, opening your mouth only for a defeated sigh to fall out. “It’s… nothing, really. Stupid, even.”

Moon frowns. “Did one of us do or say something wrong?”

“No… I mean—not really. Not intentionally! It’s just…” You groan, resting your forehead in your palms. “I feel uncomfortably… feminine. Today. For some reason.”

He nods slowly. “Oh…kay…”

You attempt to elaborate. “I know I don’t talk about it much. You guys know I use She/They pronouns and there’s no more explanation really required. But… I don’t know. Something lately has just had me wishing I was more masculine. Or—at least more androgynous, I guess. And with all this focus on my period, and—”

Sun, the ever patient listener he is, cuts you off. “Menstruation is not inherently feminine. Any human can have periods if they have a uterus.”

You nod quickly. “Yes—I—I agree, but you’ve gotta take into account that that’s a relatively new take on the concept. It’s a good one, of course, but… a lot of people still associate having periods with being a woman. It’s been so tied to femininity for so long, always seen as a ‘woman’s issue’ that… it can be a difficult thing to un-internalize. It’s a common cause of dysphoria in transmasc and nonbinary people.”

He listens intently, rays slowly circling his head as he considers your point. “Right… right. I see. That makes sense.”

You take a pause to sip your cooling drink and recall where you left off. “It… honestly doesn’t usually bother me this bad. I couldn’t tell you what’s different about this month, it’s just not sitting well with me. But I do appreciate knowing that you two don’t see it as making me feminine. That does help. It’s just…” You shake your head. “Ugh, this is so silly…”

Moon slowly pulls back on the chair he’s been holding onto, stepping around and gently taking a seat. “It’s not silly if it’s bothering you.”

Sun nods, leaning back in his chair and crossing his arms. “He’s right.”

You meet both of their gazes in turn with a small smile before casting your eyes back down to the table. “It’s not a big deal, though. It just… on top of already feeling very feminine, it sat with me wrong when you called me ‘Queen’ earlier. That’s… that’s literally all!” You punctuate your confession with laughter, trying your best to make light of the issue.

Moon’s eyes brighten. “Oh! Oh… oh goodness you’re right! I didn’t even—I didn’t even think…”

You raise a hand out toward him, quick to stop his unnecessary apologies. “It’s not your fault! I promise. You had no clue I was feeling… this way today, and I know you didn’t mean anything by it. I’m not upset with you, I’m… honestly way more upset with myself that I’m so bothered about it in the first place.”

Sun throws his opinion into the ring. “I don’t think either of you are at fault. Moon didn’t know you were feeling this way, and you can’t really control when you feel this way.”

Moon nods and you follow suit. “Yeah, I was hesitant to say anything because I didn’t want to make a big deal out of it. I already feel like I’m… hah—‘overly-sensitive’ right now anyways.”

Sun’s expression quickly shifts to disapproval. “Oh, that stereotype can get fucked. You feel how you feel and that’s that. It’s just as real right now as it would be at any other point in your cycle.”

Your eyes widen at Sun’s insistent tone and Moon chuckles a bit at the sight. “I agree, star. And… I don’t think that you’re making a ‘big deal’ about it at all. Honestly, I think the best way to not make it a big deal is to not be afraid to tell us if we use a term for you that makes you uncomfortable. I’d much rather you tell me than just try to ignore the feeling.” He reaches out to place a hand over yours. “We know that your identity isn’t set in stone. If there’s ever something you want to be called, or something you don’t want to be called, the best thing you can do is just let us know, okay?”

Unable to fight the affectionate smile that pulls at your cheeks, you flip your hand over to grab his properly, and squeeze. “Okay. Yeah, that… I can do that. Thank you for understanding.”

His faceplate contentedly clicks a few degrees to the right, his smile soft. “Thank you for telling us.”

Feeling flustered and just a bit overwhelmed by how surprisingly smooth that went, you give his hand one more squeeze before pulling back to wrap it around your mug instead. You clear your throat as you do so, looking for something less intense to say. “I uh, I guess for now I’d just like to stick to gender-neutral stuff, okay?”

Moon nods eagerly. “Of course! Easy-peasy. I can even remedy what I said earlier if you’d like!” He’s muttering to himself before you can even tell him that that’s not really necessary. “Oh—uhm… hmmm…. what’s a good neutral alternative to ‘Queen’…”

Sun instantly starts listing suggestions. “Monarch. Ruler. Sovereign.” His rays spin a quick round, a tell that he’s taking his internal database search online for more information. “‘Caln’ is apparently a monarch word based on the Q slash K sound of Queen and King, if that sounds better to your ear.”

He suddenly barks a laugh and your brows raise in interest. “What?”

He shakes his head dismissively, still chuckling. “Nothing, just… Quora results. The questions some people pose are truly something.”

Moon’s interest is piqued. “What’d you find that was funny enough to make you laugh?”

Sun’s voice shifts to his ‘default human’ impression. “If Queen Elizabeth announced she was gender fluid, dot-dot-dot…”

You stifle a laugh. “That’s certainly one way to pose the question.”

“What's the rest say?” Moon asks.

Sun waves his hand in dismissal. “I don’t know. The preview was humorous, but I wasn’t compelled to follow the link to the full thing. Quora gives me a headache. I’ve moved on.”

Moon playfully pouts as Sun expands his list of suggestions. “Excellency. Majesty. Highness. Grace. Eminence. …Quing?… Oh, apparently ‘Caln’ is queer. Wait, do they mean queer created or queer exclusive…”

You interject before he spends the next hour falling down a rabbit hole of royal terms. “You could go the meme-y route and call me Liege.”

Moon’s attention shifts back toward you. “Is that one gender neutral?”

“I… think so?” You shrug. “Sounds neutral enough to me. Though I honestly wouldn’t mind a bit of masculinity to counterbalance the way I’m… feeling right now.”

He nods sagely as Sun’s list of suggestions continues to grow, getting more and more obscure as he delves further and further into his search.

You can’t help but laugh a bit as you dig a spoon into your oats, beginning to breathe easier with the reminder that you’re in very considerate company.

A/N: Thank you for reading, I hope you enjoyed. I’ll be back in a few days with part 4! You can also find my notes and commentary on this fic right here on Ao3. Links to the playlist and moodboard for [N]MbD can be found on this blog’s pinned post, as well as in the series notes on Ao3. Image Sources: x - x - x

[ectonurites]

also i know i just posted tht newer photo but i found a 2015 'initial test of my Robin Steph' photo from when i was first building it and MAN. the side by side is funny